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Materials: Messrs. Walter Evans and Co.'s
tatting cotton No. 40; fine mignardise braid.
Patterns formed of mignardise and tatting
are of quite new style, and look very pretty. The insertion is easy
to work by the following process:--Make first a circle, as follows:
1 plain stitch, 2 double, 1 purl, 6 double, 1 purl, 2 double, 1
plain; fasten the cotton on to one side of the mignardise, at the
distance of about five-eighths of an inch, by taking 2 loops of it
together; work a second circle at a short distance from the first,
and so on.
When the strip of insertion is
sufficiently long, work in the same manner on the other side of the
mignardise. This kind of work is destined to become very popular,
and nothing can be more light and graceful than the union of
mignardise and tatting.
Linen Bag for Cotton.
Materials: Fine linen, 6 inches square;
Messrs. Walter Evans and Co.'s tatting cotton No. 40.
The bag seen in illustration No. 30 is
meant to keep the cotton for working a couvrette; it consists of a
round piece, measuring 6 inches across, which is hemmed all round,
and trimmed with a tatted lace. It is drawn together at top.
Tatting Insertion.
Materials: Messrs. Walter Evans and Co.'s
cotton No. 30.
The insertion shown in illustration No. 31
is composed in two similar halves. Begin the first in the following
way:--10 double, 1 purl, 3 double, 1 purl, 10 double, join the
stitches into a circle, and work a second similar circle at a
distance of one-third of an inch; instead of the 1st purl, draw the
cotton through the 2nd purl of the first-worked circle; leave an
interval of one-eighth of an inch, and repeat the two rounds till
the insertion is sufficiently long.
Then tat round the pieces of cotton which
join the two rounds, work round the longest 10 double, and round
the shortest 4 double, inserting the shuttle alternately once
upwards and once downwards, but for the rest proceeding as in the
common button-hole stitch. When the first half is completed, work
the second in the same way, and fasten it on to the first with the
purl.
Tatting Insertion.
Materials: Messrs. Walter Evans and Co.'s
cotton No. 30.
The pretty effect of the insertion shown
in illustration No. 32 is obtained by means of longer and shorter
purl. Work as follows:--Join 9 double into a circle, 1 long purl, 3
double, 1 long purl, 4 double *.
After an interval of five-eighths of an
inch, begin the large figure of the pattern: 2 double, 1 small
purl, 2 double, draw the cotton through the last purl of the small
circle, 2 double, drawn through the 1st purl of the same circle, 2
double, 1 small purl, 2 double, 1 long purl, 2 double, 1 small
purl, 2 double, repeat 6 times more from *, and draw up.
After an interval of five-eighths of an
inch comes another small circle: 4 double, draw the cotton through
the last purl of the large figure, 3 double, draw the cotton
through the next long purl of the same figure, 2 double, 1 long
purl, 3 double, 1 long purl, 4 double. Repeat the pattern for the
length of insertion required. The threads which join the small
circles are worked over with 7 double in the manner described
above, only the cotton at the principal figure must be left loose
the width of a straw, so as to imitate a long purl.
Complete the insertion from illustration
by tatting round the small circles of 16 double on the other side
(but in the contrary direction), form no purl, but draw the cotton
through the long purl of the large figure; the threads which join
the 2 circles are likewise drawn through the middle long purl of
the large figure; this thread is then tatted over with 7 double,
like the opposite outer edge.
Tatted Square or Diamond.
Materials: If for couvrettes, Messrs.
Walter Evans and Co.'s tatting cotton No. 20, or crochet cotton
No. 4; tatting-pin No. 3. For d'oyleys, tatting cotton No. 50;
tatting-pin No. 2. For headdresses, tatting cotton No. 80;
tatting-pin No. 2.
The square is composed first of nine
4-branched patterns, worked in 3 rows of 3 patterns each, and
joined on one to the other with purl. Each pattern consists of 4
branches close to each other, and each branch consists of 7 double,
1 purl, 7 double; when the 4 branches of one pattern are completed,
cut off the cotton, and fasten both ends together so as to form a
small circle in the centre.
Then work a second pattern, which is
fastened on to the first and second branches of the first pattern,
instead of working the purl stitch; work a third pattern, which is
fastened in the same manner on to the second pattern. Then work 2
more rows exactly the same as can be seen in illustration.
*For the border of the square, fasten the
cotton on the first purl of the first pattern, work 4 double, 13
purl divided by 2 double, 4 double, draw up the stitches close,
fasten the cotton again on to the same purl of the first pattern *,
and work the following scallop at a short distance:--4 double
fastened on the last purl of the preceding circle, 10 purl divided
by 2 double, 4 double, draw up the stitch, leaving an interval of
two-fifths of an inch between the first and the last; fasten the
cotton on to the next purl which joins two patterns, repeat twice
more from *, and continue to repeat from *
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